I’m headed into Boston tonight with my special lady to catch Improv Boston’s annual Halloween show, Gorefest, so I don’t have time to respond to every bit of idiocy on teh internet this morning, but I couldn’t let this particular entry pass uncommented-upon. Over at Clownhall, John Hawkins asks the rhetardical question:
Halloween is almost upon us and you’re probably thinking, “Gee, wouldn’t it be great to kick back on the couch and rent a few conservative horror flicks for the big night?”
Why no I wasn’t. I didn’t even know there was such a thing as a “conservative horror flick.” In fact, the very notion of a horror movie being conservative seems absurd, almost like choosing the best conservative rock and roll songs. Oh wait.
But if you stop and think about it, one could make the argument that certain horror movies are inherently ‘conservative,’ though it’s not a school of conservativism that most white bread Republicans would care to embrace. Most slasher pics, for instance, are driven by violently reactionary views toward sexuality and teen sexuality in particular (i.e., anyone who has sex will soon be on the business end of a knife, axe, chainsaw, or garden weasel), the same way that most monster movies reduce existence to the Hobbesian basics.
One could make such arguments, but Hawkins can’t be bothered to do anything of the sort. Instead, he lists a hodgepodge of ten entirely unrelated movies, which qualify as conservative because, well, because he says so, even if those reasons directly contradict each other.
Cloverfield is conservative because “the military was in the thick of the action, bravely fighting against the Cloverfield monster and handling an impossible situation the best way they could.” But Quarantine is conservative because of its “timely and true message: Don’t count on your government in a crisis.” Okaaaaaay. Meanwhile, even though the military was directly responsible for the horror in The Mist, that’s a conservative movie as well, because . . . I don’t actually know why. John Carpenter’s The Fog is conservative because the fog of the title is visited upon a California town due to the “ignoble actions of their ancestors.” Oh, right, the ignoble actions of our ancestors, I think that’s a phrase straight out of Oakeshott. The only genuinely politically conservative movie on the list is one I haven’t seen, The Exorcism of Emily Rose, which dealt with the conflict between religious faith and rationality (or as the Onion’s Scott Tobias said, “Part courtroom drama, part otherworldly shocker, the film basically restages the Scopes Monkey Trial and comes out once more against Mr. Darrow . . .”).
Wait a minute, a false dichotomy between blind faith and reason only to come down on the side of blind faith? Now that does sound conservative.
[Props=Sadly No!]